Although I am not a potter, Teapots hold the same fascination for me as they do for many potters. Frequently, the Teapot is considered the Holy Grail of pots. While the Teapot makes a reference to history because of its antiquity, for me, it also makes the perfect vehicle for the exploration of domesticity. This fact keeps me using the image not only as a subject in itself, but also in conjunction with larger sculptures.
The Artist Teapot Series of which Chickadee is a member, was a result of researching the lives of Old Masters and putting my own spin on how I thought they might create a Teapot, if in fact, they had to make one. Chickadee is of special interest to me, because it is an interpretation of an interpretation! Translation: Contemporary artist, Fernando Botero, produced a painting which was entitled Rubin's Woman. This painting was based on a painting done by Old Master, Peter Paul Rubins. In turn, Botero's painting became the inspiration for Chickadee . The title Chickadee is somewhat pejorative, but ideally conveys a sense of irony and humor. It makes a rather oblique reference to Rubins' love life. Rubins was happily married until his wife of many years died. He eventually was married to a very young woman {she was 14-17 years old} when he was almost sixty. While this fact is, perhaps, not extraordinary, to me it made interesting fodder for freezing an instant in the annals of art history.
ALL ABOUT EVE:
An exploration of angst brought on by a litany of creeds re-emerging from the past. Read more...
DOUBLE EXPOSURE:
This series began as an exploration of the human condition. Read more...
GREAT AMERICAN DREAM HOUSE: The idea for this series came after I had read a book about the aftereffects of WWII. Read more...
PARTLY TRUTH, PARTLY FICTION: As with many things in Life, we encounter contradictions on a daily basis. Read more...
TEAPOTS:
Frequently, the Teapot is considered the Holy Grail of pots. Read more...
"WHAT’S A NICE GIRL LIKE YOU...?": The title for this series was gleaned from an old commercial for oven cleaner. Read more...
NON-SERIES:
Pieces that stand alone with a story unto themselves and do not represent any particular... Read more...
DISTANT RELATIVES:
For several years I have collected Peruvian Grave dolls and have been inspired by... Read more...

Jean Cappadonna Nichols was born January 18, 1941, in Port Arthur, Texas, to first generation Italian-American parents. At the age of seven, her family moved to the small, west Texas town of Midland, where she attended elementary, junior high and high school. Upon graduating from high school, she attended Texas Tech University in Lubbock, Texas. After two years, she transferred to Loretto Heights College in Denver, Colorado, to be geographically closer to her high school sweetheart and future husband, Larry Nichols. Larry graduated from the United States Air Force Academy in June 1962 and they married the following September.
After rearing three daughters, Stephanie, Michelle, and Phyllis, Jean decided to return to Texas Tech to complete her Bachelor of Fine Arts Degree, which she accomplished in 1988. Armed with a degree in drawing but with a desire to move into the realm of three-dimension, Jean began working in clay but felt she needed additional education to accelerate her progress. In 1994, that opportunity was realized when her husband decided to sell his business, attend law school at the University of Mississippi and ultimately join their middle daughter, Michelle, in her and her husband's small firm in Tupelo, Mississippi. Therefore, in the Spring of 1994, Jean was accepted into the Sculpture program at The University of Mississippi, Oxford. After a few semesters in the Sculpture program, Jean changed her area of concentration to ceramics in order to focus on the technical aspects of the medium. She graduated in 1996 with a Master of Fine Arts in Ceramics.
After graduation, Jean and her husband moved to Tupelo, Mississippi, where she worked full-time as a studio artist. In March 1999, Jean and Larry decided to make a permanent move to Fort Myers, Florida to indulge themselves in a few additional passions: year-round gardening, sunshine and water. She has participated in numerous group exhibitions as well as solo and two person shows, and has received many awards and honors, the most recent being the 2003 Individual Artist Award in Sculpture from the Florida Department of State, Division of Cultural Affairs. She was also the 2002 recipient of the Heritage of Odessa Foundation Distinguished Former Odessan Award, and the 1999 recipient of the Mississippi Institute of Arts and Letters Award for Visual Arts. This latter award has been presented to such notables as William Faulkner, Eudora Welty and John Grisham.
Her work has been published in The Best of New Ceramic Art, The Ceramic Design Book, Clay Times Magazine, Daniel Rhodes Clay and Glazes for the Potter, Edition III and the recently released, Working With Clay, Edition II, by Susan Peterson. She was featured in the March-April 1999 issue of Clay Times and the February 2000 issue of Ceramics Monthly Magazine. Jean works as a full-time studio artist in Fort Myers and her work is represented by Carol Robinson Gallery, New Orleans.